Jack Nelson
Mr. Gar Puppet Canvas fabric, vacu-formed plastic, glass eyeballs
29 × 9 × 12 in. (open mouth)
Jack Nelson (1929–1997) was an artist associated with experimental object-making and hybrid sculptural forms that blur distinctions between craft, performance, and visual art. Born in Chicago, Illinois, he graduated from the Art Institute of Chicago before relocating to Sweden from 1951 to 1961. Upon returning to the United States, Nelson served as an associate professor in the Department of Experimental Arts at Syracuse University from 1966 to 1973. His practice explored imaginative and often surreal combinations of human, animal, and mechanical features, engaging viewers through tactile materials and expressive construction. Working closely with his wife, Jeri Nelson (1935–2016), a skilled seamstress who contributed to many of his intricate fabric-based works, the two collaborated on numerous pieces, including the development of Nelson’s alternate persona, Mr. Moon.
The Punto de Contacto / Point of Contact Collection’s newest acquisition, now known as the Jack Nelson Collection, comprises over 80 objects either created or collected by the artist. These include sketchbooks, drawings, cartoon clippings, sculptural works, photographs, and correspondence, offering a comprehensive view of his artistic world. Influenced by Dada, Pop, and Surrealism, Nelson’s work frequently engages themes of religion, machinery, biology, and entomology. Among the most notable works in the collection is the Mr. Gar Puppet, a fabric and vacu-formed plastic fish-bird hybrid featuring glass eyes and an articulated mouth. Created in collaboration with Jeri Nelson, the figure combines a beak-like form with human-like teeth, embodying the uncanny and playful qualities central to his practice. The puppet shows visible signs of age, including yellowing, surface soiling, and a stain resembling blood, suggesting either prolonged use or intentional artistic distress. Sketchbooks within the collection further reveal early drafts and conceptual studies for Mr. Gar, situating the piece within Nelson’s broader creative process. This work is part of the permanent collection of Punto de Contacto / Point of Contact, contributing to ongoing dialogues around materiality, storytelling, and interdisciplinary art.
